Custom Framing
Framing is one of the most sensitive steps in preparing a project for presentation. There are many aesthetic and practical factors to consider in determining which approach best compliments a given piece of art. As with mounting, Lightside encourages the use of archival rated, PH level 7 balanced materials to insure maximum conservation longevity. Beyond that, Lightside works with a variety of excellent framers, each uniquely qualified to deliver specifically tailored requests, from modern to traditional. There is not one "right" way to frame a work of art, framing is a highly customized stage in the chain of readying artwork for presentation or sale and Lightside works to help clarify the process.
Construction
Often, budgetary concerns are a primary factor that determine the type of construction and finishing for a framed work of art. We offer solid maple, oak, and cherry wood frame stocks in a variety of profiles and dimensions which can be ordered with either splined, internally joined, or nailed corner construction. Depending upon final size, frames can be constructed with either removable countersunk strainers or integral back bracing for rigidity and warp protection.
Finishes
Opaque white or black shades in latex or lacquer paint with gloss, semi-gloss, and matt finish options.
Washed (transparent) white or black stains in varying densities to reveal grain pattern.
Wide range of natural wood stain tones
Others upon request
Archival museum board matting available in 4-ply and 8-ply weights.
Glazing options
Advances in framing grade plexi (acrylic sheet) and glass UV coating technology have narrowed the performance differences between these two materials. Both choices offer excellent light transmission and although acrylic materials are more neutral than glass and are shatter resistant; glass is more scratch resistant and easier to clean. Furthermore, there are practical factors to consider when choosing between acrylic or glass glazing for framed pieces such as: size of artwork, concerns of safety regarding the necessity for shipping, and final viewing context.
A note about Non-Glare materials
Non-Glare is a general term used to refer to glass or plexi glazing materials treated with an etched surface to reduce light reflections and glare. The problem associated with this method is that unless the materials are in full contact with the surface of the artwork there tends to be a slight hazing or diffuse effect when viewing. There are now a variety of coated (non-etched) reflection control acrylic and glass products available designed to maintain maximum optical clarity without any visual distortion.
Acrylic Sheet (Plexi) Glazing Options
Most acrylic glazing products are available as large as 72 x 96 inches (or larger). Some restrictions may apply, however, to certain options. Please inquire directly for oversize projects.
Acrylite FF3
This is the clearest, most cost effective material we offer. While more expensive than standard grade plexiglas, FF-3 offers excellent color representation with a light transmission rate that is among the highest of any glazing material. FF-3 has no UV protection or reflection control coating.
Acrylite OP-3
Optically clear 92% light transmission and 98% UV protection.
Optimum Museum Acrylic
Highest quality framing grade acrylic available. Provides an excellent combination of 96% light transmission, 98% UV protection, and minimal (1%) reflectivity. Optimum museum acrylic is available in limited sizes.
Glass Glazing Options
Glass glazing is generally available for framing up to 40 x 60 inches. Although quality glass sheets can be obtained as large as 60 x 72 there are very few practical uses for handling glass material of that size.
Standard Framing Glass
The most cost effective glass available. Standard framing glass offers approximately 46% natural UV protection. There is a very slight, familiar blue/green tint inherent in this material.
UV Protective Framing Glass
Offers up to 97% UV protection. This glass has a slight grey tint attributed to the applied UV protection coating.
Museum Glass
This is the highest quality framing glass manufactured, combining coated (non-laminated) layers of silica based and oxide materials for UV protection and reflection control. Museum glass offers 96% light transmission, 98% UV protection, and minimal (1%) reflectivity. This glass has a very slight pinkish tint.
A note on Water White or “Den” Glass
Den is a brand name associated with the production of water white glass, water white is the term applied to glass manufactured to contain very low iron compounds in the final product. Because of the manufacturing process, water white glass is nearly colorless. It should be noted that the absence of iron compounds reduced the natural UV protection for this glazing material to under 30%. There is presently no company manufacturing water white glass under the Den brand and we know of no water white UV protection coated product available on the market.
Scheduling
Framing is a craft that requires precision carpentry based on exact dimensions. Because of this, all framing quotes are made on a per project basis and require as much detailed information about the dimensions and usage (viewing context) as possible. Often, if a project is going to be mounted first, exact final dimensions are unknown until the mounting is complete. We are are able to make estimates based on partial information but therein is the real usage of the term “estimate” and prices may be subject to change upon completion.
Remember to leave an absolute minimum of two weeks for framing projects and a minimum of three weeks for projects that require mounting and framing combined ... often longer for large orders. Please feel free to inquire directly for scheduling details, estimates, and with general questions.